Wissenschaftler in China haben das Kult-Spiel „Schnick-Schnack-Schnuck“ untersucht – und ENDLICH gibt es eine geniale Strategie, um bei. Wer bei "Schnick, Schnack, Schnuck" (oder "Schere, Stein, Papier") Der Zweiertrick: Wer gerade gewonnen hat, etwa mit Schere gegen. wolfsportsonwheels.com › Internet.
Mit diesen Psycho-Tricks schaltest du jeden bei Schnick Schnack Schnuck ausSo gewinnt man Schnick, Schnack, Schnuck. Wer "Schnick, Schnack, Schnuck" oder "Schere, Stein, Papier", wie die Entscheidungshilfe auch genannt wird. Wissenschaftler in China haben das Kult-Spiel „Schnick-Schnack-Schnuck“ untersucht – und ENDLICH gibt es eine geniale Strategie, um bei. Zaubertricks und Zauberartikel SCHNICK SCHNACK SCHNUCK Zaubertrick, Mental-Magie mit dem Klassiker Stein Schere Papier, Karten-Trick im Großformat.
Schnick Schnack Schnuck Tricks Schnick-Schnack-Schnuck: Mit diesen Tricks gewinnen VideoPsychologie - Schnick Schnack Schnuck gewinnen
Schnick-Schnack-Schnuck: So gewinnen Sie immer Spielen Frauen, dann beginnen Sie in den meisten Fällen mit der Schere. Der Mann startet sein Spiel aus statistischer Sicht eher mit Stein.
Gewinnt einer der beiden Spieler, dann denkt er, dass seine Handlung die richtige war. Die Folge ist, dass er die kommende Runde mit der gleichen Variante startet.
Verliert der Spieler, dann wechselt er in den meisten Fällen sein Symbol. Er nimmt also statt Stein Papier oder wählt die Schere. Hinzu kommt, dass der Verlierer auf das Symbol des Mitspielers schaut.
Durch das Nachahmen des Mitspielers, möchte der Verlierer sein Spiel verbessern und erfolgreich gestalten. Hat jemand mit Papier verloren, so wählt er im nächsten Durchgang Schere.
When shooting a subject or scene that is taller than it is wide, shoot the scene with the camera in portrait position vertically.
Use the landscape horizontal position when shooting a scene that is wider than it is taller. It makes sense, but you'd be surprised by how many people only take 'normal' horizontal pictures.
Turn OFF the flash on your camera when at a sporting event. First, the range of your camera's flash is probably only 10 or 15 feet at best so it will never reach the players on the field.
Second, if people are in front of you, all the flash will do is to overexpose the people in front of you, while everything else will be dark.
Third, and most important, if the camera is told that the scene will be shot using the flash, it will set a smaller aperture and faster shutter speed to compensate.
So now, whatever is dark will become even darker since the flash isn't going to reach. By turning the flash OFF, you're telling the camera to meter based on the actual lighting conditions, which in low light will force it to use a slower shutter speed and wider aperture.
Keep the camera steady. Yes, your camera probably has image stabilization hopefully optical stabilization , but that is still no substitute for a tripod or monopod when the light gets low.
If you really want a convenient 'DIY' stabilizer without spending more than a dollar - check out this video.
Count to three - Shoot on two. Some people just can't seem to hold their eyes open for 3 seconds. Maybe it's the pressure of the count.
I don't know, but I do know that if you count to three, but shoot on two, you'll have far fewer 'do overs. Replace the flash with a tripod when shooting indoors.
There are two ways to add light to a scene, one would be to actually 'add' light, the other would be to set the camera so that it uses more of the natural light.
When you use a flash to add light to a scene, the picture never looks the way it did to you. However, if you turn off the flash the camera will actually capture the scene the way you remembered it.
The only caveat is that you need to place the camera down on something steady table, tripod, books, etc.
Diffuse the harsh on-camera flash by covering it with fresh tissue or toilet paper. Just tear off a small piece and either hold it in front of the flash, fold it over, or use a rubber band or small piece of tape.
By doing this you're helping to diffuse and spread the light, which in turns helps to create softer shadows and eliminate red-eye.
Your subjects will thank you. Stand back and zoom , rather than getting closer. Using a telephoto lens to capture portraits is the way most professionals do it.
A zoom lens has the effect of compressing objects in a scene to make them appear closer to each other than they really are, but this also helps with facial features as well.
This 'compression' helps to create a more pleasing portrait. Using the zoom when shooting portraits also helps to blur and soften the background - another reason why professionals shoot this way.
Break the rules. Try using the wrong settings on your camera to see how it effects your shots. Shoot with the wrong white balance setting, try a scene mode that doesn't match what it is you're shooting.
Just remember to set things right once you've experimented. You'll find that some of the best shots you'll take often happen by accident.
Try to learn your camera enough to know how to purposely recreate these 'accidents. Nike uses this slogan and it is so true.
If you want your photos to stand out - you'll need to do something different. Try laying on the ground and shooting up - or standing on a chair and shooting down.
Get up when everyone else is sleeping to capture the amazing light at sunset - also a great time for portraits. Overexpose when shooting in snow.
Since winter is upon us and 10" of snow just fell last night with another 10" possible tomorrow, I thought I'd share how to shoot in snow.
Since snow is so bright the camera will underexpose the scene, making everything look gray and dull. Use the exposure compensation feature of your camera if it has one, most do to overexpose the scene by one or two steps and you're snow pictures will look white and bright.
Be careful not to overexposure too much as you'll start to lose detail in the snow. Not sure what to do? Go green. Most camera's have a 'green' or automatic mode that makes all the decisions for you.
While automatic mode can often be fooled, you'll find this to be a 'safe' setting, especially when you're not sure how to set the camera.
Labels: photography. Labels: handmade , hedgehog. I took the week off from work and generally I'm relaxing. I've had a deliverable or two for the home front.
One was completed this morning. Say goodbye to the bohemian-bed-on-the-floor and welcome to 12 inches of natural latex mattress on a box and frame off the floor.
Barb really wanted the bed higher. For both of us, that first push in the morning to rise from the bed was more than needed. It was a challenge in today's bedding market to not need a step ladder to get onto a mattress to sleep.
Many with pillow tops are 14 inches thick. Foundations can run 8 inches and frames another 8 inches. That can put the sitting height at inches off the floor.
That's about the height of a desk top or table. The final decision was for a Stearns and Foster, Natural resort - Garden Grove Plush mattress, on a low profile foundation, and again on a low profile frame.
So the sitting height of the mattress is about 22 inches from the floor. Latex has been around for many years and it seems to be making a comeback.
Tonight we'll find out if the 15 minute try lay out was accurate. I hope I like it Posted by G at 3 comments:. Labels: bed , furniture , Life. Thursday November 13th, Barb calls me from the hospital Katie's been in an accident.
A friend of her was driving. Greg Kahn lost control of his mother's car and landed in a tree. Thank God, no serious injuries Katie also lost her phone during the accident.
It was finally recovered from the car late Friday. Labels: Katie. A little catching up is required. Crabby outside my room Hiro from Japan on a walk through the open air museum before dinner.
This was just after the Museum Director ask us to put out all but 4 torches. That would be about 12 torches to put out.
I guess he was concerned we could burn down his old buildings. I really don't blame him :- Theis Bosse after our walk and waiting for wine and dinner Labels: travel.
You cannot help the poor by destroying the rich. You cannot strengthen the weak by weakening the strong. You cannot bring about prosperity by discouraging thrift.
You cannot lift the wage earner up by pulling the wage payer down. You cannot further the brotherhood of man by inciting class hatred.
You cannot build character and courage by taking away men's initiative and independence. Plot Summary. Plot Keywords. Parents Guide. External Sites.
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